The day the music died

Sitting down to write this post, I wasn’t quite sure where to begin.

Should I address the incredulity that I, and it seems a big part of the world, am feeling? Should I focus on what such a person in power could mean for our future? How about what this says about our acceptance of women in high positions? Perhaps, in the wise words of Julie Andrews a.k.a. Maria von Trapp, the very beginning would be best. Continue reading

Marina Abramović and the age of the narcissist

So Spazju Kreattiv are screening the documentary The Space in Between: Marina Abramović and Brazil.

It’s touted to be a journey of self-discovery for the controversial Serbian artist as she travels through Brazil in search of personal healing, artistic inspiration and an experience of sacred rituals to reveal her creative process.

Now, I have never been a fan of Abramović’s personally. Continue reading

List of firsts

Today, as I was listening to Italian radio (something I love to do to escape the anglicised world we live in), the programme hosts were commenting on a survey that was recently carried out to see what ‘firsts’ people most remembered.

Of course, there were the standard ones, such as the first time we fall in love, the first kiss, the first time we have sex. Continue reading

The unbearable lightness of being

I’ve recently had to contend with grief in my life on a number of occasions. In March, my wonderful mother-in-law passed away tragically. Big shock to the system, the worst of all has been coming to terms with the fact that she isn’t around for the mundane things. I’ve lost track of the amount of times my husband and I simply forget and are about to pick up the phone to share some news with her or invite her to join us for lunch. Continue reading

Have my head off, go ahead…

…but I simply can’t not write this blog post.

For once, this year’s Eurovision had a number of strong entries. And by this, I mean musically sound songs, lyrics that made sense, performances that had class. It wasn’t just a mix of the usual trite, stale, pop ballads, though there were those too.

The winning entry was certainly not one of those, with its unusual musical arrangement and its very strong political message.

Was it the best entry? Continue reading